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@@ -186,7 +186,7 @@ DesignCraft aims at full Adobe InDesign parity — and to be better: faster, ope
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## How far from full parity (estimate, 2026-10-04)
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**Breadth: ~99% weighted** (P0 core 99%, P1 100%, P2 97%) over the 275 features of the InDesign catalogue, scored
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row by row in [docs/parity.md](docs/parity.md) (`cargo xtask parity` recomputes it). Many features scored done still
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row by row in [docs/parity-checklist.md](docs/parity-checklist.md) (`cargo xtask parity` recomputes it). Many features scored done still
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lack some of InDesign's options or dialog details, so **overall parity including depth is about 83%**.
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**Remaining work: about 170 wall-clock hours of a single Claude Opus 5.5 agent** (±30%), or roughly 60–85 hours with
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@@ -349,6 +349,8 @@ list) · [roadmap.md](docs/roadmap.md) (milestones, plan) · [parity-checklist.m
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Newest first.
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- **2026-10-16** · Parents can be deleted from their Pages-panel context menu or `layout.parents.delete {id}`. Applied-page and based-on references are cleared, local override copies survive, and Undo restores the parent. Addresses the deletion portion of #956; no readiness percentage change.
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- **2026-10-17** · Docs: documented a persistent source CLI install with Cargo, MCP-client PATH setup and bare-name server registration in `docs/mcp.md`. No readiness percentage change.
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- **2026-10-16** · Threading: the loaded text cursor threads into a text frame inside a group (it hit the group and showed it could not thread); a plain click still selects the group (#1075). Gap 27 closed. No readiness percentage change.
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- **2026-10-16** · Greek text hyphenates. The patterns were never compiled in, so Greek set unhyphenated however narrow the column; `"Greek"`, `"Greek: Greece"`, `el` and `el-GR` all resolve now and ανθρωπος breaks αν-θρω-πος. They are the monotonic patterns (hyph-el-monoton, Dimitrios Filippou, under MIT), which is what polytonic text hyphenates by too. Five of InDesign's ~40 hyphenation languages. No readiness percentage change.
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- **2026-10-16** · A swatch applied to a placed greyscale or bitmap image colours it, as in InDesign: IDML's `<Image FillColor>` is read and written, greyscale pixels become a tint of the swatch on opaque white and a bitmap's white lets the frame show through, on screen and in PDF (spot swatches print on their plate). Colour images keep their colours. Applying the swatch from the Swatches panel comes next. No readiness percentage change.
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